The line up films at your favourite city centre cinema from Friday 12th Nov through to Thursday 18th Nov 2010
Exhibition of photographs taken in Belfast in 2008-10 is designed to provide a snapshot of developing themes within Loyalist and Republican murals, whilst also chronicling the dramatic shifts of the post-ceasefire period.
Marking the anniversaries of Lennon's birthday and assassination, the Bluecoat is recreating John and Yoko’s famous 1969 peace protest as each day a performer, artist or plain old member of the public hosts new action. So on Monday 15th November sonic artist Sunshine Gray will be recording members of the public speaking lyrics from Give Peace a Chance - with the assistance of Daz Disley ( in the bed with all the equipment! ) - & mixing them into a sound work to be heard at the gallery till December. Recording Times - 11am - 3pm
Daz and Sunshine appeared on Art in LIverpool FM back in 2008 you can listen to Sunshine's work below.
Playhouse Theatre, Liverpool
There are several good reasons to want to see Anthony and Cleopatra at the Liverpool Playhouse this month. The one the press like is Kim Cattrall of ‘Sex and the City’ fame as Cleopatra. While I’ve never watched the television show I am aware of the shoes associated with it and have more recently been impressed by Cattrall constantly reminding people that she’s from Liverpool, and yes I am both that shallow and that parochial. However the real draws for me are director Janet Suzman and actor Jefferey Kissoon as Anthony. Jefferey Kissoon was last (as far as I know) in Liverpool in Talawa Theatre’s The Gods Are Not to Blame at the Everyman. I was working there at the time and his performance was arresting to say the least; he was a powerful yet elegant actor who was a pleasure to watch each of the several times I saw the show. And he was a handsome man; all of us box office girls (and one of us was a boy) appreciated that; just to pass his dressing room added a frisson to our day. Perhaps more importantly (but only perhaps!), he has worked with Peter Brook, Robert Lepage, and Complicité, so don’t take my word for his prowess. Putting him together with Cattrall directed by the great Janet Suzman was surely going to produce special theatre.
I wasn’t sure what to expect from Anthology when I approached the Everyman last night.
What I did know was that there were several different plays by several different authors being simultaneously performed offsite. I wasn’t sure how that would work, but was pretty keen on seeing how it turned out – plus, I really wanted to see Jeff Young’s piece. It turned out there are seven pieces in all, and choice is by random selection, either by throwing a seven-sided die (‘die’ is singular for ‘dice’, my Dad told me) or by selecting one of seven objects, among them a party popper, a feather, a letter and so on. My choice was a milk bottle with a flier in the top. This turned out to be play number 2, and I was given headphones and a receiver on a lanyard tuned to the appropriate station. All very exciting. However this was not Jeff’s piece, and I was not allowed to swap as it was already oversubscribed. I imagine not all audients are going to be open to this, at least some presumably choosing to come to the theatre because they like a particular playwright, actor or theme; and it certainly added an element of potential chaos that made me glad I was no longer a Front of House Manager. I think on the whole though that this potluck is a good thing; it adds to the sense of adventure, plus I saw a show by a writer I wasn’t aware of and probably wouldn’t have selected given a free choice, and that has to be good.
Yes.....Everything you have ever wanted from one of the most politically radical cities in the world a base for workshops, exhibitions, events and your radical ideas. No not a squat and only temporary but it's going to be upfront and personal and promises four weeks of explosive art, film, discussion, music and poetry raising the issues others do not have the nerve to raise.
Sound art pieces, live compositions and improvisations featuring loop-based compositions of sounds from various objects and sources.
There is no better way of programming your festival than to let others do it for you, in fact I remember Nuffield Theatre in Lancaster won an award for doing just that in 2008. Now Writing on the Wall, Liverpool's outstanding writing festival are doing just the same as they explain below. This is a great idea and at Defnet Media we applaud them
The Ragged Trousered Philanthropists is in it's final dress rehearsal and they have released this video of Director, Christopher Morahan discussing the production.
Ian Jackson from artinliverpool.com met up with photographer Francesco Mellina the other day, to discuss his various projects, including his new show at Optimark Opticians on Bold St, Liverpool.
Listen or click for a free download