Eimer combs the city in search of particuLar pockets or channels of sound, positioning herself within these acoustic asides she explores the way that sound is sculpted by both the built environment and its inhabitants.   We find ourselves privy to a singular experience of the city exploring the movement and interaction of its inhabitants. in composing the piece specifics are avoided, sentences are cut short and obvious references discarded in favour of ambiguous, atmospheric and spot sounds that describe the play of the city.