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    Liverpool SciBar - Human Anatomy 06:30 PM to 08:30 PM

    Dr Andrew Fisher, anatomy lecturer in the Human Anatomy Resource Centre- University of Liverpool, will discuss the rich historical context of anatomical research and reveal the latest 'cutting edge' methods

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    We meet on the first Wednesday of every month where we have a talk on a particular subject and then we congregate in a pub afterwards. Meetings are announced through email and social media. A complete

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Monday, 27 July 2009 20:58

Ghost Stories: A Night Opera - review

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Ghost Stories - a night opera‘Ghost Stories: A Night Opera’ was an evocative, innovative and haunting musical experiment

Performed in the atmospheric Gothic setting of St Luke’s Church. Neil Campbell, accompanied by the soaring and sublime vocals of Anne Taft, composed the music for this project whilst the eerie soundscape and electronics throughout were effectively handled by Michael Beiert. It was apparent that Campbell’s technically skilled classical guitar playing combined diverse musical influences, including elements of Spanish flamenco, minimalism, and progressive and experimental rock music. The music of ‘Ghost Stories’ itself is certainly compositionally suggestive of the subtle and elusive compositions of French impressionistic music such as Debussy and Satie, as well as the ambient pieces of more contemporary musicians such as Harold Budd and Brian Eno.

The music began slowly and tantalisingly against a rainy evening, and there was an air of good-humoured anticipation amongst the crowd, delighting in posturing as ghosts themselves in their transparent raincoats. Visual design was provided by Shaun Taft and a series of poignant and striking images offered a suitably elegiac background for the music and vocals, adding a further stirring dimension to the whole event. The opera began with a prelude of ten movements, one of which entitled ‘PSS’ was evidently inspired by an esoteric text by Samuel Beckett. Throughout these, the guitar playing and vocals combined movingly, building up gradually and powerfully. It then continued with further short and mysterious pieces variously entitled ‘Through the Looking Glass Part 3 + 4’, ‘Ghost Tango’, ‘Volk’ and finally ‘Sketch 5’. In all, this was an impressive enterprise on many levels, temporarily transporting the listener and spectator away to an ethereal world. Written by Jennie Tsai

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Read 1078 times Last modified on Monday, 30 May 2011 23:30
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elvis guitar

From the sonic art archive

Kaffe Matthews -

August Rain In New York Doorways

Click to listen and for a free download




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